2024 Editorials | ||||||||||||||||||
Goin', Goin', Gone! | ||||||||||||||||||
Catchin' A Surprise | ||||||||||||||||||
Steppin' Up | ||||||||||||||||||
Workin' Hard or Hardly Workin' | ||||||||||||||||||
Now We Are Rollin' | ||||||||||||||||||
FAQ | ||||||||||||||||||
Jenny Awards | ||||||||||||||||||
Jenny Awards 2023 | ||||||||||||||||||
Jenny Awards 2022 | ||||||||||||||||||
30th Year Special Features | ||||||||||||||||||
Jenny Awards Gallery | ||||||||||||||||||
Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. |
God is an Iron
Black Box Productions Montreal—School of Contemporary Dancers
“If a person who indulges in gluttony is a glutton, and a person who commits a felony is a felon, then God is an iron.” I don’t get it. I’ve gone over it several times in my head and it makes no sense to me. If you know, please enlighten me.
If I would have known before the show, I would have asked the actors. I had a brief moment to meet and chat with them and they’re very nice people. The play covers several very important topics and there are some lessons to learn here. For those two reasons, it pains me very much to write this review.
In a short, succinct clause: the play is boring. My summarisation may be succinct, but that’s the only thing succinct around here. The monologues are too long; the dialogue is too long; and the play is just too long. The hour seemed like forever because nothing happened. The opening description took 20 minutes, which in itself, is forgivable, but it better pick up fast and be excellent. It didn’t pick up at all and by the end, I wanted to hook myself up to “the wire.”
Murray Hunter