2024 Editorials | ||||||||||||||||||
Goin', Goin', Gone! | ||||||||||||||||||
Catchin' A Surprise | ||||||||||||||||||
Steppin' Up | ||||||||||||||||||
Workin' Hard or Hardly Workin' | ||||||||||||||||||
Now We Are Rollin' | ||||||||||||||||||
FAQ | ||||||||||||||||||
Jenny Awards | ||||||||||||||||||
Jenny Awards 2023 | ||||||||||||||||||
Jenny Awards 2022 | ||||||||||||||||||
30th Year Special Features | ||||||||||||||||||
Jenny Awards Gallery | ||||||||||||||||||
Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. |
35MM: A Musical Exhibition
Ethereal Fantazy Productions—John Hirsch Mainstage
Right off the bat, I don’t like this show. At the close, I introspect about what I would write and how harsh would I be? Being my last show of the evening, I intentionally meander and linger around, trying to catch comments from my fellow viewers.
Based on the outcome that I do not hear a single positive comment about the play, I will list all the reasons I don’t like it. This of course, does not count the numerous people who left early (a few as early as song #3).
At 90 minutes (although true running time is only 75 minutes), I expect a storyline, complete with conflict, denouement and resolution. This is just a presentation of songs, some somewhat related, some completely unrelated. To their credit, that’s all they promise in the program.
Musicals are fun to experience because they feature toe-tapping, catchy, contagious music. Some of the songs here are nice but most of them do not have good melody. Andrew Lloyd Webber, this is not.
From some of the comments I heard (overheard), the theme is just too dark. I love a good, dark, eerie story, but there needs to be some sort of resolution at the end; this just leaves you with a bad taste for humanity when you leave.
The sound person completely failed this troupe. Two of the actors’ mics were so low, you could not hear them sing most of the time—and if you miss the words here, you do not understand what’s going on. A third actor had a faulty mic which cut out intermittently. I would expect a spare to be around for such emergencies.
Finally, I am a semi-pro photographer. I very much looked forward to seeing the work displayed. I can’t say much from an artistic perspective, but from a technical perspective, the photos were quite a disappointment.
I’m sorry to say but there are a lot of great shows out there, and to spend time in one where I kept wishing it would be over is not the best use of time or money. Sitting in the audience, your primary thought after every song should not be, “please come to the front now, hold hands, and bow.”
Ray Yuen