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The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. |
Didn’t Hurt
Tonic Records—School of Contemporary Dancers
The program describes this show as a story about a tough upbringing, but it is so much more than that. Certainly it is about the effects child abuse can have, and the child having to deal with that as their life goes on, but perhaps unintentionally it is also about toxic masculinity, how it spreads, and how children learn. This show very clearly spells out exactly how a parent’s actions can rub off on their child, and how the cycle has the potential to continue well into each generation.
The performer seemed to struggle to tell portions of his story, and while generally it is inadvisable to dive that deeply, he was able to hold himself together. Something that was outrageously brave, and incredible to watch. It could use some focus, as he often segued into a lecture more than storytelling. Both can be good, but as a performance they need to be distinct.
Arden Pruden