2024 Editorials | ||||||||||||||||||
Goin', Goin', Gone! | ||||||||||||||||||
Catchin' A Surprise | ||||||||||||||||||
Steppin' Up | ||||||||||||||||||
Workin' Hard or Hardly Workin' | ||||||||||||||||||
Now We Are Rollin' | ||||||||||||||||||
FAQ | ||||||||||||||||||
Jenny Awards | ||||||||||||||||||
Jenny Awards 2023 | ||||||||||||||||||
Jenny Awards 2022 | ||||||||||||||||||
30th Year Special Features | ||||||||||||||||||
Jenny Awards Gallery | ||||||||||||||||||
Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. |
Obsession: The Elizabeth Smart Musical
Goltsman-Ferris Productions—CCFM Pauline-Boutal Hall
This show is an historical piece on the life of Canadian author Elizabeth Smart. Told in a series of flashbacks as the elder Smart reminisces on her love affair with British poet George Barker. A tumultuous tale of a woman ahead of her time, falling in love and having several children with a married man whose work stole her heart. I was lucky to see an understudy show and they did an incredible job with very little rehearsal time! I found the pace of the show to be a bit disorienting and keeping track of where we were in time was tricky. Also saddened by another story of a woman being involved and giving so much to a man who couldn’t or wouldn’t reciprocate, to which I know far too many women can relate to. It left me pondering how and why we choose to remember the events of our lives the way we do.
Calantha Jensen