2024 Editorials | ||||||||||||||||||
Goin', Goin', Gone! | ||||||||||||||||||
Catchin' A Surprise | ||||||||||||||||||
Steppin' Up | ||||||||||||||||||
Workin' Hard or Hardly Workin' | ||||||||||||||||||
Now We Are Rollin' | ||||||||||||||||||
FAQ | ||||||||||||||||||
Jenny Awards | ||||||||||||||||||
Jenny Awards 2023 | ||||||||||||||||||
Jenny Awards 2022 | ||||||||||||||||||
30th Year Special Features | ||||||||||||||||||
Jenny Awards Gallery | ||||||||||||||||||
Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. |
40 Below
What If Theatre—MTC Up the Alley
Several years ago I was coming home extremely late from a party. It was cold, my phone was dying, and I was far away from my bed. I got on a bus, and started trying to plot my way home. When the bus driver told me that his route was coming to an end, he must have been able to tell I was anxious, because he asked me where I had to go. Luckily, I was going into Osborne Village, and he was going back to the depot. So he killed all the lights, let me ride up front, and chatted with me all the way to the end of my street to make sure I got home safe. This to me has always been Winnipeg Transit.
I was thinking about this experience through this show, and that bus drivers are doing their best to keep us safe. I expected to walk into a comedy, as shows about Winnipeg generally are, but was met with a heartfelt exploration of trauma, and the fear of moving on. The performances were genuine, featuring some of the best drunk acting I’ve seen in a long time, and made the piece feel almost like a love letter to the eccentricities of transit patrons. Here and there the writing could be clunky, but it was a passion project come to life.
Arden Pruden