2024 Editorials | ||||||||||||||||||
Goin', Goin', Gone! | ||||||||||||||||||
Catchin' A Surprise | ||||||||||||||||||
Steppin' Up | ||||||||||||||||||
Workin' Hard or Hardly Workin' | ||||||||||||||||||
Now We Are Rollin' | ||||||||||||||||||
FAQ | ||||||||||||||||||
Jenny Awards | ||||||||||||||||||
Jenny Awards 2023 | ||||||||||||||||||
Jenny Awards 2022 | ||||||||||||||||||
30th Year Special Features | ||||||||||||||||||
Jenny Awards Gallery | ||||||||||||||||||
Making Contact Write your comments/reviews. Sign your written submission and include a phone number or e-mail address where you can be reached in case we need clarification (phone numbers etc., will not be printed or given out); and get it to us by one of these methods:
Social Media Please Follow us on Social Media to get updates on Reviews, News and other content about the Winnipeg Fringe.
| ||||||||||||||||||
The Jenny Revue is a publication of The Jenny Revue Inc., a not-for-profit corporation, funded solely by advertising and donations. It is not affiliated with The Winnipeg Fringe Festival, MTC, or any other organization. Privacy Policy The Jenny Revue is published on Treaty 1 territory, the lands and traditional territory of the Anishinaabeg, Cree, Anisininew, Dakota, and Dene Peoples, and on the Homeland of the Red River Métis. |
Jellyfish Are Immortal Returns
Peachy Keen Productions—The Rachel Browne Theatre
I only went to see this based on the buzz this team has had in the past, and fond memories of previous shows. If memory serves, their fans screamed down the house at last year’s Jenny’s. But there was no team, just the charming and funny Sydney Hayduk, solo. She was clear that Thea Fitz-James, who was listed in the program , was absent and had nothing to do with this show; and would be mad if she was associated with it. Says a lot. I’m guessing there is a story here that is not being shared, that might explain why this seemed so thrown together. Sydney started by stating her sexual orientation (who cares?) and her deep concern for the ecology (I care). This was more like a workshop than a show, and there were a lot of unimpressed patrons at this performance. Only one member, a friend, I believe, went up to her after. Not a good sign. I stand in line usually, to congratulate performers. A lot of dance movement, playing with props, cheery smiles, and a costume that would have benefited from a trip to a thrift store. A black crinoline (not tattered pink) and black tank would have actually made her look like the monarch butterfly she was trying to portray. I have seen her in the past and she is definitely capable of far more. As she says in the program “we have more work to do.“.
Lisa Campbell