A Taste of Blood in the Mouth
by Kinsey Donald
Cerridwen Productions - Winnipeg, MB
V.12 - The Output 
Murder, power, violence, and the desire to be seen. How far are you willing to go for love?
A journalist sits down with a woman convicted of brutally killing her husband, hoping to win her trust and get the story of what happened the night he died.
In this illicit game of cat-and-mouse, two women isolated in an interrogation room find out that the taste of blood in the mouth is a desire that can't be avoided.

Director:
Christine Leslie

Show Info:
75 minutes
Genre:
Play-Drama

Audience:
Parental Guidance

Mild Language, Violent Content, Sexual Content

Thu July 18 7:00 PM
Fri July 19 5:15 PM
Sat July 20 8:45 PM
Sun July 21 5:00 PM
Mon July 22 8:45 PM
Tue July 23 5:15 PM
Wed July 24 8:45 PM
Thu July 25 7:00 PM
Fri July 26 5:15 PM
Sat July 27 8:45 PM

A Taste of Blood in the Mouth

Cerridwen Productions—The Output

THIS SHOW. If you have time for ONE more show this fringe, MAKE IT THIS ONE. I was absolutely riveted. From before Kinsey Donald’s character even arrives on the stage, until the moment she leaves, I was on the edge of my seat, mind racing to try and figure out what’s going on. The acting was flawless, the direction and staging were interesting, but the writing is what truly sets this play in a league of its own. A very well-deserved Rintoul nomination. If you enjoy crime documentaries, murder mysteries, or similar stories, you MUST see this show.

Jordan Phillips


A Taste of Blood in the Mouth

Cerridwen Productions—The Output

A Taste of Blood in the Mouth is almost too good for Fringe. A simple set let’s the two performers and the script shine. The stark sound design heightens everything. Well deserving of a Rintoul shortlisting. The description in the program describes the plot well, but doesn’t do justice to the nuance. Go see this show.

Eric Rae


Cerridwen Productions

A Taste of Blood in the Mouth—The Output

A Taste of Blood in the Mouth is a story about love, power, violence, and the risks we take in order to really be “seen” by the object of our desire.

Eve is in prison for the brutal murder of her husband, which she maintains she did not commit. Lili, a journalist, schemes her way into an interview, hoping to talk her into a tell-all feature.